Making the karaoke

You now have your video and lyrics, it’s time to start. This page will guide you into making your first karaoke video. Timing is syncing lyrics to the audio data of your karaoke.

Subtitle styles

You first need a style for your karaoke subtitles. Click on this link to download the example file. Right click and save it anywhere you can find it easily. You will use it each time you want to synchronize some lyrics.

Workspace

Open the example file with Aegisub. You first have an almost empty user interface.

• You would like to synchronise some subtitles

Go to “Video > Open a video”, and select your video. You can also “drag & drop” directly onto the interface.

• You would like to time a simple audio file because you did not find a satisfying video or with a good enough quality (an mp3 for example)

Use “Audio > Open an audio file”, and select your audio file. You can also “drag & drop” it directly on the user interface.

Go then to the Video > Use a fake video menu, pick the “HD 1080p” quality (unless you only have an album cover in “classic” 4/3 format at your disposal). The background color is up to your choice, along with the video duration (put more pictures than the total duration of the audio file, it’s not important) and proceed.

• After having integrated you file, you should have a screen similar to this one, where we’re making a synchronization for the Ashita no Nadja anime. On this screen, if you synchronize with an audio file, the only difference is that you’ll get a screen filled with the color you chose.

There are two differences with audio-only :

1. If you don’t have an audio track at the top right of the screen and if you get no sound when playing your video via the button, it means sound was not loaded. Fix this with the Audio > Open the video audio menu.

2. If you do not have the same audio track, that’s nomal! Fix it by clicking the icon. This kind of view can be easier to understand.

• Once the video is set (or the audio is) go to the File > Properties menu and put a resolution of 0 x 0, so you won’t have to worry about having too-small font on screen. This must be set every time you open a sample file, open a video / an mp3, or open time-synchronised subtitles with Aegisub. If you open an .ass file you wish to modify and forget doing this you will see that your lines became too small compared to the previous time you tried your karaoke.

• Also tick “Shadow and edges scale”, it allows to apply the same style on Karaoke Mugen app and on a Karaoke Mugen Server instance.

Example picture:

“Simple” synchronization (or timing)

For this step, we advise you to disable automatic replacement of the video cursor at the time of the start of the current line by clicking on the button in order to make your work easier.

The goal for this step is to synchronize every lyrics line to the screen. We will then synchronise syllable by syllable later.

Look carefully at those three elements of “subtitle box” :

(1) : your subtitles’ appearing time.

(2) : your subtitles’ disappearing time.

The aim of this step is to define the appearance and disapearance time of the subtitle.

Here’s what you’ll have to do :

1. Read your video with the button under its preview and pause with . To the right of the button you’ll find the time you’ve paused at with the hour:minute:second:secondhundreth format.
2. While on the right line, keep pressing CTRL + 3 so that time becomes the start of your line.
3. Resume playing the video and pause when your current line’s singing stops.
4. While on the right line, keep pressing CTRL + 4 so that time becomes the end of your line.
5. Add text in the freshly new made line.
6. Right click under your line and then insert to create a new one.
7. Select this new line and repeat the process until all your lines are synchronized.

Syllable synchronization (or k time)

Once all the lines are synced to the video. It is now time to synchronize all your lines syllable by syllable.

Before you begin, it’s recommended to save your work in a new file (“Save subtitles as”).

The main idea is to first display your subtitle line in white then fill it with an orange color as your song goes. For this we will use tags, and more precisely the {\k} tag.

Every syllable in our subtitle line will be separated by a {\kX} tag, where “X” is the hundreth of second before your text after the tag turns white, until the next tag.

As an example, the first line will turn from akaku somatta rashinban to {\k11}a{\k26}ka{\k19}ku {\k24}so{\k24}mat{\k23}ta {\k11}ra{\k23}shi{\k28}n{\k23}ba{\k13}n.

Fortunately you don’t have to precisely measure every hundreth of second of each syllable: Aegisub has a Karaoke Assistant! You can enable it by clicking the button (last icon of the audio sprectre..

You will notice two changes on the upper right part of your user interface: your text now appears word per word on your sound sprectre, and that same text appears pre-cut under the sprectre. It is also now possible to make an horizontal and/or vertical zoom so don’t hesitate to overuse it.

To k-time with the karaoke assistant, you’ll first need to outline your syllables. Let’s focus on our copied line, just under the audio spectrum. If you hover it with your mouse, you’ll see a cursor on that box This is the part of the screen where you’ll outline syllables, by clicking at every needed intersection.

Here are some rules for that:

• For japanese karaokes, a “syllable” is a kana (see the table above).

• For double letters (ex. : somatta), you have two solutions depending on what you can hear: either you cut so | ma | t | ta if you consider that the “a” is said twice. The “t” alone will be there to mark the second time the “a” will be sung. On the contrary, if the “a” is said once you cut as “so | mat | ta” (and not “so | ma | tta”).

• In any case, you must never ever have a double sound said on one syllable cutting. For example, if it’s “so | ma | t | ta” but you cut as “so | mat | ta”, you’ll have a small blank during which the singer will double the “a” sound and your sync will stay on mat. You must absolutely avoid that kind of error.

• Some syllable might be hard to distinguish from each other. Don’t hesitate to gather both in one. Example: according to the hiragana/katakana table above, “shin” should be cut as “shi | n” but if it’s said as “shin”, that’s only one block.

Here’s an example :

• Remember that you don’t have to cut a syllable if the singer doesn’t either. It’s especially true for japanese, but also for other languages like french.

• Once you’re satisfied with how you cut the sentence, you can click on . If you did a mistake, you can delete it by clicking on it again. If you want to delete the whole line you can also do it with ass.

• Once you confirmed everything, you’ll see a few changes on the user interface: the syllable cutting is applied to the spectrum, just where you did it before, and {\k} tags were generated with more or less random times.

Then all you have to do is fiddle witht he yellow dot lines on the spectrum to match each zone on it to a sung syllable! Click and hold the cursor on any of those and move it exactly where it’s suppoed to be sung. to help yourself, you can use:

• Your ear
• The , and buttons which you knwo already by heart (don’t hesitate to overuse the third button and to listen several times at the lines until you are astisfied with the synchronization.)
• The audio spectrum

Having the bad habit of cutting before the sentence is highly discouraged. Your line will appear and have an empty spot right before the first syllable is sang. To help you with starting your line exactly when the first syllable starts without any delay, you can do as follows:

• Make the sentence start in advance
• Place your first line with yellow points at the right spot
• Note the time you’ll have placed the line with yellow points at
• Use that new time as if it was the real starting point of the sentence
• Remove the line with yellow points.

With that your sentence won’t have any pre-singing blank.

That step is long and tiresome, you might not be in rythm on your first attemps but don’t give up: speed and precision comes with training.

Progressive filling

The latin languages having less sharp cutting by syllables, it’s possible that you’ll prefer a “progressive” filling of the orange color on the white colour, like with some popular karaokes that you can find on the internet. The {\kf} tag is here for this.

Once your karaoke is synchronized correctly (with \k tags), you can modify the type of filling and turn it into “kf / progressive”. To do this, go to Edit > Search and replace, and search {\k (yes… without closing the bracket) to replace it by {\kf (once more, do not close the bracket). Click on Replace everything and now your karaoke has a full progressive syllable filling, every \k tag having been turned into \kf tags !

Also, nothing prevents you from using {\k} and {\kf} tags at the same time. For example on some japanese songs, singers may end some of their sentences on a long syllable. It can be interesing to put a {\kf} there. However, beware of using them too much, it’s usually considered usuless to put a progressive tag on a long syllable that lasts less than 1 second.

Style change depending on the karaoke type (optional)

As you might have noticed, the sample file has a few styles :

• Sample KM [Up]
• Sample KM [Down]
• Sample KM Duo [Voice 1]
• Sample KM Duo [Voice 2]
• Sample KM Duo [Voice 1&2]
• Sample KM [Choir]

Up is the usual line style that you’ll use most often.

If you make a karaoke that can be sung in duo, the styles with Duo in them are a better fit.

If your karaoke has background voices, you can use the Choir style. It appears (between the middle and the top of the screen), or with the Down style (at the bottom of the screen).

If you wish to change the style of several lines, all you have to is to select them and use the corresponding style.

Applying the script

A fundamental Karaoke Mugen rule is that subtitles must be readable. So, a line of text should appear approximatively one second before it has to be sung.

Once the “k” synchronization has been completed, a script must be applied. It will allow to make each line appear approximatively 1 second before and add a fade effect.

The script is already included in the sample file that you used. It’s the first line that you see on top. All you needed is apply it going to the Automatism > Apply the karaoke template menu

!retime("line",$start < 900 and -$start or -900,200)!{!$start < 900 and "\\k" .. ($start/10) or "\\k90"!\fad(!$start < 900 and $start or 300!,200)}

!retime("line",$start < 0 and -$start or -0,200)!{!$start < 0 and "\\k" .. ($start/10) or "\\k0"!\fad(!$start < 0 and $start or 300!,200)}

Conclusion

If all is right, you get something like :

Blue lines marked with a karaoke effect are lines that you just synchronized. The white fx lines have been added by the effects script and have the fade-in and delay applied.

Remove all unused styles.

You have completed your first karaoke synchronization! Congratulations! You can now test it and share it with the world!